These biopsied walls from the unbuilt houses were re-composed in the gallery as an enfilade oscillating visitor’s experience from occupying finished rooms to moving within the pockets, or pochè, between them. In other words, visitor’s continuously move between and through finished rooms and circulatory pochè while simultaneously looking through and across an enfilade of variegated rooms and materials. In some cases what I call Poche Still Life’s are encountered between rooms or walls which reveal diorama-like scenes displaying artifacts from the labor involved in constructing the walls. In other instances, stud piles are found on the floor, suggesting the space of the gallery is a site of ongoing construction. Plan drawings from which the curled walls originate are found tucked into nooks and crannies, enticing visitors to bend down, peer up, look behind, through, and into the walls in search of more layers or spaces.

Photos (except last two) by Kyle Troyer. Second to last photo by Danny Wills, last photo by Jon Yoder.
Team:  Aidan Crossey, Aileen Lin, Allison Baker, Branden Hudak, Feyza Mutlu, Jonathan Bonezzi, Kyle Troyer, Logan West, Mike Bonezzi, Ryan Lane, Yu-ting Chang.